The same image can look completely different depending on the surface it is printed on. Here is how the three most requested finishes compare.
Giclée on archival paper
Giclée printing uses pigment inks on archival fine art papers — cotton rag, textured watercolour or smooth photo papers from makers such as Hahnemühle and Canson Infinity. It gives the finest detail and tonal range and is the standard for artists' editions and fine art photography. Giclée prints are usually framed behind glass with a mount.
Best for: limited editions, reproductions of paintings and drawings, fine art photography, collectors.
Canvas
Printed onto canvas and stretched over a frame, a canvas print has texture and presence without glazing. It can hang as a gallery wrap or sit inside a floater frame for a more finished look.
Best for: reproductions of paintings, large living-room pieces, hospitality and residential décor.
Metal
Metal prints have luminous colour, crisp detail and a sleek, frameless look, usually hung on a float mount that sits the print off the wall.
Best for: contemporary photography, bold graphics, modern interiors and offices.
Quick comparison
- Detail: giclée on paper is finest; metal is crisp; canvas is softer by nature.
- Presentation: giclée framed under glass; canvas as a wrap or in a floater; metal frameless.
- Glare: canvas and matte papers avoid it; glazing choice controls it for framed prints.
Not sure? Bring the file or the original to the showroom — we can proof on different surfaces before you commit.